山水有清晖 ——谈崔伟刚的构成主义

南阳子

<p class="MsoNormal" style="TEXT-INDENT: 161.65pt; mso-char-indent-count: 11.5;"><span style="FONT-SIZE: 14pt; FONT-FAMILY: 黑体;"><font style="FONT-SIZE: 16px;">山水有清晖</font></span></p><p class="MsoNormal" style="TEXT-INDENT: 161.65pt; mso-char-indent-count: 11.5;"><b style="mso-bidi-font-weight: normal;"><span style="FONT-SIZE: 14pt; FONT-FAMILY: 黑体;">&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr></span></b>
                <span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">——谈崔伟刚的构成主义</span></p><p class="MsoNormal" style="TEXT-INDENT: 178.5pt; mso-char-indent-count: 17.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">南阳子</span><span lang="EN-US" xmllang="EN-US">/</span><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">文</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">对于国画的创作，许多画家自己都很迷惑。要么盲目的追求时下的流行元素跟着钱长跑，要么在失败后“犹抱古人半遮面”。这都造成了中国山水画创作走到今天还不免使人产生集体水平下陷的错觉。</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">我读画家崔伟刚的山水，觉得当代山水画的创新当有新的出路，其希望之来源在于解构主义在当今山水画中的切实运用。当然，这样的探索和发现不止崔伟刚一人。贵重的是，他的作品隶属于高山仰之的哲学思辩在山水画中的立体呈现，这种由绘画本身展转腾挪思考后的维度空间已经能够直接或间接地解决我们如何进入实质创作的透明状态。而创作核心展示的乃是画家心源本体的圆通融和，这个融和不是简单的图式分解，而是通过解构意象的交织，来表现水墨纸本的多元空间，为观赏者带来自然山水阴阳转化的奥秘所在，可以由具体的开放姿态来表现。因此，他的绘画，山水清晖与欢喜心皆在笔画的周而复始中由一元起始向多元递进，其绘画中关于中国最朴素的哲学思想——道的形象，被轻松的线面挥洒构成，破解逸现。</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">试以远近的视觉方式来阅读崔的作品，我们很容易发现这样一个现象：近看他的原作，线的挥舞与铺设，使人感知到“自然的律动”，万物随心所欲，而主体的思想旋律在于笔墨的畅游以思想的支点为基准，弧度与平铺俨然如天地造化，实现了</span>
                <span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">“江山不如画”的创作意图。崔的劲道和力度当然还不止于此。远看他的作品，“相对论”的哲学构成则令观者醍醐灌顶。那些近距离下的线条作为自然生命征象的符号顷刻间以面的形式悄然骤现，无意间应和了“横看成岭侧成峰，远近高低各不同”的绘画意图；此东坡文人画精华之诗句，被藏匿许久后在当代山水画里再度释放和阐述。</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">完成了线面构成的崔没有停下步伐，而是带我们进入山水清境。他的带入突破了阻隔，（其实这里的隔，实际就是王国维在《人间词话》里谈到关于写诗词最忌一隔的隔字。）由于他的绘画笔墨与构成是开放的透明姿态，易于从多元的空间里“梅花移步”。颇似八卦阵，在多元的空间里设置内心的机枢。崔绘画中的多元空间本质区别于八卦阵的地方在于引你我进入大山大水而不迷失。可谓进退有度，以整体透明有序的完美写意，于蜿蜒曲折中移步换景，做到了与天日朗月松涛雾霭相会的那份潇洒和自然。</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">作为创作者本体，画家易于放弃固守在心中的传统之“障”，敢于扬弃腐败的传统程式来解构今日山水绘画，是崔在传统壁垒中找准的突破点。而哲学相对元素引申转化为现代山水绘画立场，是稀有精神与诗歌意象在绘画实践中的高度概括。这应是崔伟刚大胆破解，甩掉束缚在现代山水画在当代社会发展中的包袱，轻装上路的收获。</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">我为这样的绘画理念在今日山水绘画世界的践行欢愉不已！其理由在于绘画的当代性与石涛坚持的“笔墨当随时代”的发展观仍旧是我们当代画家必须集体面对的问题！崔的探索和发现，其意义在于决绝的放弃和大胆的尝试已经在某种向度上为我们现代绘画发展在清理路障！</span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span lang="EN-US" xmllang="EN-US"><span style="mso-spacerun: yes;">&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr></span></span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span lang="EN-US" xmllang="EN-US"><span style="mso-spacerun: yes;">&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr>&nbsp;<wbr></wbr></span> &nbsp;<wbr></wbr>2008<span lang="EN-US" xmllang="EN-US" style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';"><span lang="EN-US" xmllang="EN-US">年</span></span>12<span lang="EN-US" xmllang="EN-US" style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';"><span lang="EN-US" xmllang="EN-US">月</span></span>8<span lang="EN-US" xmllang="EN-US" style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';"><span lang="EN-US" xmllang="EN-US">日</span></span><span lang="EN-US" xmllang="EN-US" style="FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman';">写于秦王府</span></span></p><p class="MsoNormal" style="TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;">&nbsp;<wbr></wbr></p>