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< >博客～<a href="http://www.blogcn.com/u3/2/22/zhuangyanjun/index.html" target="_blank" >http://www.blogcn.com/u3/2/22/zhuangyanjun/index.html</A><br>美术培训的博客<a href="http://www.blogcn.com/u3/5/39/yanjunzhuang/index.html" target="_blank" >http://www.blogcn.com/u3/5/39/yanjunzhuang/index.html</A></P>
<> <br> <br> 颜君的艺术小观Yuanjun’s Opinion of Art</P>
<><br>也许是出生在信仰佛教的家庭里，从小的耳闻目染下，对神秘的宗教艺术就产生无限的迷恋。</P>
<>也许是佛堂里的师父对我的关爱，在他渊博的知识熏陶下，对周易和佛理的探索成为使命。</P>
<>也许是西藏的民俗风情侵染了我，在藏民对宗教的高度虔诚下，我反醒了自己的人生观。</P>
<>也许。。。也许。。。太多也许。。。。造就了现在的我。</P>
<>最近，自己先后做了几个系列作品：《信仰—藏传佛教》系列、《周易---卦相》系列、《也许—面孔》系列，还有行为+装置+版画的《信仰—朝圣》。这几个作品，虽然风格不统一，却是自己每个阶段对人生观的一种宣泄。很想很想把自己所感悟的每一个瞬间抓下来，通过各种媒介，把它表现出来，让观众去看它，去感悟它。有时候，我觉得艺术家应该是一个哲学家，他们应该把自己每阶段的人生观高度概括成作品，让每一个观众能通过作品，受到启发或者共鸣。那样，我的作品才有存在的意义。</P>
<><br>erhaps born and growing up in a family with belief in Buddhism, I am infatuated with the mysterious religionary art. </P>
<>Perhaps benefited from the care of the monk in Buddhist temple and his profound knowledge, discovering “Book of Changes” and theory of Buddhism has become my target.</P>
<P>Perhaps amazed at folk-custom of Tibet, and admiring the high belief of Tibetan to their religion, <br>I re-consider my attitude of my life.</P>
<P>Perhaps, maybe …….Too much possibilities changed me.</P>
<P>Recently, I made several series of wood paints: series of Belief-Tibetan Buddhism, series of Book<br>of Changes-the Eight Diagrams, series of Mightbe-Face and Belief-Pilgrimage by behavior, device and wood paint. Although they have different styles, they are my abreactions to my attitude of life in different periods. I am eager to grasp every minute when I have some plaints, and show them to the audiences through different ways, let them watch it and understand it. I think artists should be philosophers at sometime, they should generalize their attitude of life in different periods in their arts, and let every audience enlightened and have resonance. This is the meaning of the existence of my art. </P>
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<P><br> 《信仰—藏传佛教》系列 绝版套色木刻版画</P>
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<P>《周易——卦相——坤——地》34X55CM 独幅版画</P>
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<P>绝版套色木刻 24X32CM 《舍与得》</P>
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<P>黑白木刻 24X32CM 《舍与得》</P>
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<P>黑白木刻 62X80CM 《信仰--藏传佛教》之一</P>
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<P><br>装置+行为+版画《信仰——朝圣》1.5米X10米<br>《信仰朝圣》作品说明belief pilgrimage<br>To Tibet inspection common social practice, Most lets my impression be profound is Tibetan's unceasing worship movement. They by tens of thousands of and even 100,000 repetitions worships movement, Transmits them to be highly reverent to the religion. I for this move, Creates this work by its form. The work "lives" "the death" by "the birth" "the soul" "the saint day" five seal script to pass through the entire work, Uses for to elaborate the human life and the spiritual developing process. Work by three worships movements’ constitution, around is the naked worship, Suggested "lives does not bring, Refuses stubbornly to take away ". Among for puts on the clothes worship, Suggested the growth later had in material and spiritual satisfying. Finally by model death posture print, On behalf of death. But still had both hands to rise, towards "saint day" seal script worship, suggested the soul leaves the shell, has promulgated the spirit which goes on a pilgrimage is one kind of fate. All around brick wall, the opening was spatial -odd suggested the human was born origin mystical ness. Order of words rampart high suggested the life high tide. Entire process height fluctuation, Is the life process.<br>到西藏考察民风，最让我印象深刻的就是藏民不断的朝拜动作。他们以数万乃至十万的重复朝拜动作，来传达他们对宗教的高度虔诚。我为此感动，以其形式而创作。<br>作品以“诞生”“活着”“死亡”“灵魂”“圣天”五个篆文来贯穿整个作品，用来阐述人生命和精神的发展过程。作品以三个朝拜动作构成，前后为裸体朝拜，暗示了“生不带来，死不带去”。中间为穿衣朝拜，暗示了成长以后有了物质和精神上的满足。最后以典型的死亡姿势印制，代表了死亡。但仍有双手向上举，朝着“圣天”篆文朝拜，暗示了灵魂出壳，揭示了朝圣的精神是一种宿命。四周的砖墙，开头的空余暗示了人诞生的来源的神秘，中间的垒高暗示了人生的高潮。整个过程的高低起伏，即是生命的过程。</P>
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[此贴子已经被作者于2006-9-29 8:59:33编辑过] |
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发表于 2006-9-22 14:21:19
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发表于 2006-8-25 17:58:59
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